Tag: Theater

For Coaches and Teachers, For Parents, Resources, STEM Education

USAT and STEM: But, What About the Arts?!

Alison Weaverdyck

There are many who worry that by emphasizing the STEM disciplines, others will suffer. This fear is not unfounded, and indeed we have seen art and music programs cut from schools in favor of pursuing STEM programming (and dollars). Presidential hopefuls have been coming down hard on Liberal Arts lately as part of their platforms and de-emphasize the importance of education in the arenas of literature, philosophy, visual arts, and other creative branches. But, are STEM disciplines and the Arts really opposites? Do we have to choose one or the other?

At USAT we’d answer a resounding “NO!” to both of those questions. As our society becomes more dependent on technology, the more important the arts become, not less. It all goes back to what we discussed in the first post of this series: Fostering creativity is the key to future success, not any particular career path or line on a resume. The arts are an incredibly powerful tool for encouraging creativity and giving students the confidence to take positive risks in any number of arenas.

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Learning an instrument or mastering a technique also take diligence and hard work. Perseverance is a powerful lesson, especially at this time in our history where so much is at a person’s fingertips and the gadgets and apps that are being developed are largely motivated by making something easier. We are being trained to expect instant gratification at every turn, but the arts require the opposite.

Further, the arts are not divorced from the STEM disciplines. There are ways to have these things intersect and play to the strengths of a variety of people. For instance, science visualization is a growing field that incorporates scientific knowledge, technological know-how, and aesthetic principles as a way to share new knowledge with a wide audience. These visualizations sometimes require a musical score to underpin it and reach that audience on an emotional level as well as an intellectual one.

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Performing arts, such as theater, music, and dance, are even more vulnerable to cuts than visual arts. Though many high schools do put on plays and musicals, imagine how much higher the participation rate would be if students are introduced to public speaking and performance skills in their elementary and middle school years. The person who never gets a chance to perform before an audition is going to do poorly compared to someone who has had prior exposure and guidance – and this is not just limited to the stage. Adults have to give presentations all the time in the course of their jobs, or even to be considered for a job in many cases. People who are in purely academic fields, including STEM disciplines, must present papers and posters at conferences, not to mention teaching the next generation of students.

Incorporating performance and public speaking are major motivations behind the P.A.R.T.Y. in a Box part of US Academic Triathlon. We give students a chance to practice their presentation skills in a safe environment that is less high-pressure than a class presentation or an audition. Yes, USAT is a competition, but there are three Round Robin tournaments every year that are strictly for practice (not to mention tons of fun!). Our head writer also comes from a Liberal Arts background in Anthropology and Art History (not to mention a personal interest in dance, theater, and studio arts), so you can also expect to see the arts finding their way into Mind Sprints and Face-Off! more often.

This concludes our USAT and STEM series, but if you missed the other articles here are the links:

The Role of Creativity

US Science and Engineering Festival Resources

The Role of Museums

Documentary Recommendations

Math and Logic

For Coaches and Teachers, For Kids, P.A.R.T.Y. in a Box, Resources

P.A.R.T.Y. in a Box Time: Close Reading

Alison Weaverdyck
From Stainedglassbypj.com
From Stainedglassbypj.wordpress.com

Winning isn’t everything, but it is a shame when a team misses an opportunity to get points because of an oversight.Here are a few ways to help your students excel during the P.A.R.T.Y. in a Box round.

1. Read the Prompt thoroughly. The P.A.R.T.Y. challenges are never longer than one page. Even though 45 minutes isn’t a long time to do everything needed to develop a skit, it is worth a team’s time to read the prompt more than once.

2. Look at the scoring rubric. It is not a mystery how the performances are going to be scored, the scoring rubric is included on the team copy. Unless penalties are assessed, each performance scores a minimum of 30 points, because we don’t believe in zeroes, and a maximum of 117 points. Some categories stay the same, and others change depending on the story being told. Each section of the “Team’s Use of Materials” category is always worth a maximum of 10 points, for instance, and is about the appearance of costumes and sets. The section with the largest potential for earning points always centers on the plot, and the team’s ability to address the central problem. On its own, this part is worth up to 25 points. Some prompts also require teams to do something specific, like recite a poem or add music, and if gets left out it can mean a loss of 10 points.

3. Take notes. Every Meet there are teams who have to prepare their performance during the first Tri, which means it can be hours between seeing the prompt and when the performance finally takes place. Even though teams can’t take the prompt with them in order to ensure that no other team gets an unfair advantage, there is no reason they can’t take notes about what they are going to do in their skits. In the excitement of performing, kids can sometimes forget their lines and leave out something key to their story. These notes can be kept “back stage” and referred to during the performance to make sure that nothing important gets forgotten. Another place where these notes can come into play is if the team uses a narrator, who can hold onto them during the performance and refer to them throughout.

Check out the other PARTY posts for more tips!
Make it Memorable
Costumes Make the Characters
Backdrops Set the Scene
Props Add Pop

For Coaches and Teachers, For Kids, P.A.R.T.Y. in a Box, Resources

P.A.R.T.Y. in a Box Time: Props Add Pop

Alison Weaverdyck
From Beauty with a Twist
From Beauty with a Twist

Just like a character’s costume, the props they use can make people with certain occupations easily recognizable. A person wearing a tie is some kind of professional, a person with a tie AND a clipboard is probably an inspector. A person wearing a baseball hat could just be a fan, but if they are also carrying a glove or bat, that will do even more to make identification by the audience possible.

In some cases, the right prop can also replace a costume. But, if this is your team’s approach, that should also mean that props get enough attention. If you are going to use a single object to tell us everything we need to know about a character, you had better make it a good object. Here a few examples of props that can help you tell the story, even if there is no costume to aid you.

1. Wands- witches, wizards, fairy godmothers and the like all carry these magical sticks. Oftentimes, teams get drinking straws in their boxes, which can serve as a basis for a wand. But don’t just point a straw at your foes, make sure to add something like a star to the end, or have another person throwing bits of paper to show that magic is coming out of it.

2. Scrolls- Some prompts explicitly call for a narrator, but really you can add this pseudo-character to any story. One benefit is that they do not necessarily need a costume, but they do a lot to tell the story and keep it on track. If you do have a narrator, give them a scroll with the script or even just an outline of the skit so they can keep the action moving if someone drops a line, or make sure to keep important parts from being left out by mistake. A bard, herald, or even a royal cook on her way tot he market in the Medieval age could carry scroll as well.

3. Weapons- There is no official policy against violence in the P.A.R.T.Y. performances, but in general we have found that judges respond better to humor than to drama or violence. But, that doesn’t mean that weapons can’t be employed to help tell your story. Even without any armor, a person carrying a broadsword is probably a knight. Maybe your cowboy doesn’t have a ten-gallon hat, but he does have a six-shooter that he pulls on the bad guy. I wouldn’t be surprised to see an alien who carries a ray gun, either.

Another interesting thing I noticed in my own USAT days, as well as during judging, is that oftentimes the idea for the answer to the prompt comes from the materials available. More than once I have seen multiple teams decide to have a wizard in their skit because there was already something that looked like a wand in their box. On one hand, this is a good thing and they were able to make a quick decision and execute it. On the other hand, the three similar skits blended together in the minds of the judges, which made it harder to judge them individually and made them seem less creative than they really were.

To be safe from this problem and to get noticed, it is a good strategy to alter any object at least in some way before using it in a skit. If the long, shiny thing just screams “wand” at you, at least make the handle longer or have it make a silly noise when you’re using it. In general, seeing something used for something other than its intended purpose will be more memorable, and so be more likely to earn you more points. For instance, it is much more interesting to see a milk carton as a hat than to see it being used to pour imaginary milk.

My own teams never made it to State, but we sure had a lot of fun! But, for some teams, the competitive aspect of USAT is part of the experience and enjoyment of participating. For my final installment of this series, I will be posting P.A.R.T.Y. in a Box Time: Close Reading in order to give some tips about maximizing points during this round of the competition.

For Coaches and Teachers, For Kids, P.A.R.T.Y. in a Box, Resources

P.A.R.T.Y. in a Box Time: Backdrops Set the Scene

Alison Weaverdyck
comedy_tragedy_by_kaiazon deviantart.com
comedy_tragedy_by_kaiazon deviantart.com

The materials that teams get for each P.A.R.T.Y. challenge vary, but one thing that they always get is a large piece of butcher paper for making a backdrop. Some prompts or stories may only call for a single setting, while others require to characters to move between locales. Oftentimes the backdrop is left to the last few minutes of prep time and the scenery is just an afterthought, but there are lots of creative ways to get the most out of that paper and add something special to a skit. So here are some tips for getting the most out of a backdrop.

  • The appearance of the backdrops counts as 10 points of the overall score for the skit, so don’t overlook the opportunity to get more points by doing something sloppy or unrecognizable.
  • Did you know that the paper is large enough that if students use both sides they can easily show up to four different locations? But, transitioning between them can be tricky. Most of the time, the paper is draped over the top of the backdrop holder. It can be taped in place to ensure it doesn’t fall during a show, but most teams rely on gravity to keep it in place. But, depending on how many times the characters need to change location this can be a dicey proposition, and a backdrop that falls down in the middle of a show is distracting for the audience and the performers. Tape from the competition kit cannot be used during the skit, but it can be used during set up.
  • In order to change between backdrops, students can turn the entire backdrop holder around rather than trying to “turn the page” by moving the paper itself. This can save time and hassle, but they also need to make sure they leave themselves enough space between their extra team members and any props or costumes they are saving for later and the backdrop holder as they move it.
  • One clever way to use the paper is to cut a “window” into the paper and have a character stand behind it. I was in a skit once where we had “breaking news” on a television and we used a window we cut into the paper as the television screen. Maybe the characters go through a drive-thru window at a fast food restaurant, or they step through a door to another world. There are lots of ways to incorporate this trick and add interest to a show.
  • There is no rule that says the paper must remain intact. Backdrops can take any shape your students can imagine, and the paper can be used in costumes and props if the need arises.
  • Time is of the essence, so consider dividing the labor during the PA.R.T.Y. prep time. If some people are better at drawing you might consider putting them on backdrop duty rather than working on it all together.
  • When considering the limited time available, it is also a smart strategy to get good at identifying the minimum elements needed to convey a certain place or time. If the story takes place in the future, a hover car in the sky can go a long way to situating your story in time. If there is a scene in a classroom a desk with an apple on it is a good way to simply show that setting. This corresponds to the E (Eliminate) of the SCAMPER technique.

 

For Coaches and Teachers, For Hosts and Facilitators, For Kids, P.A.R.T.Y. in a Box, Resources

P.A.R.T.Y. in a Box Time: Make it Memorable

Alison Weaverdyck
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From en.wikipedia.com

US Academic Triathlon participants often compete against as many as eight other teams during a Meet, and they all have the same P.A.R.T.Y. in a Box prompts. It is up to the students to find ways to stand out and get noticed by the judges. Some judges use the first show they see to set a bar for all of the performances while others give preliminary scores and go back to adjust them after they’ve seen all of the shows. But no matter the style of the people on the panel that Meet, if the show is forgettable the scores will be lower.

Many of the prompts explicitly require the teams to showcase someone’s special skill as a part of their P.A.R.T.Y. solutions, but this is a good way to approach all of the challenges. Can anyone do funny impressions? Is there a juggler in the house? What about walking on one’s hands? There are lots of quirky little things that teams can share with their audience (and the judges), to make a show memorable.

Adding music is another great way to garner favor with the spectators. You don’t have to be a “good” singer to have a song make an impact. It can be a vehicle for moving the plot forward, a way to keep the audience busy during a scene change, or a mode of adding interest to a character. It is also an especially good way to build comedy into a show. Taking a song that people know and changing the lyrics in a clever way will almost always illicit chuckles. This is something that comes easily to some people, but it is also a skill that can be practiced.

It is also very important not to be remembered for the WRONG reasons. Having poor theater etiquette when it isn’t their turn or dissolving into giggles during a performance are both ways of making an impression on the judges, but in negative ways. Breaking the rules is another bad way to get noticed and the reputation can follow a team throughout a season. I was a judge during a performance once where they built their entire skit around a shirt that one of the students was wearing.

This is, of course, unfair to the other teams who were not provided with that shirt as part of their materials, and the other judges on the panel took it almost personally. In that case we decided that it was an innocent mistake and took off only 5 points from their overall raw score, but depending on the infraction a team could lose much more. And I can say from that experience it was difficult to judge the rest of their skit separate from the “cheating issue”, and I am sure that they received a lower overall score as a result. The skits are the responsibility of the students, but coaches should also make sure they understand the rules to avoid any inadvertent loss of points.